2015
video, color, sound, 35’00”
new and found footages
Contemporary media images, produced by political or religious institutions, are constructed to affirm their power. But what happens when images contradict sound or voice? What difference does it make for the effectiveness of the political message that the person speaking the words is not the person mouthing the words on screen? Dismembering a speech from the applause, a voice from the speaker, a leader from his audience, I create awareness about the manipulative status of the original image. Manipulating footages posted on YouTube, I enact a strategy to disturb the viewer’s perception of the images and to interrupt the consensus that generally is given to it.
If power is essentially the ability to govern, why has to take the form of ceremonies, protocols, mediatization? As the Italian philosopher Giorgio Agamben states, acclamation is a powerful tool that survive in modern society in the form of public opinion and mediatization from early christianity and roman empire. If the media are so important in modern democracy, this is not simply because they allow to control and govern the public opinion, but also because in this way they distribute glory and therefore power. My project investigate the strategy with which power structures, as politics and church, use their own image in the public media.
Public screening:
THE GREAT ESCAPE (2015)
Graduation Show Master Artistic Research – Royal Academy of Art (KABK), The Hague.
Exhibition curated by Maziar Afrassiabi & Jack Segbars
exhibition view (foto: Katarína Gališinová)
THE FINE ART OF PEACEMAKING (2015)
The Hague Peace Projects in collaboration with exhibition space GEMAK, The Hague
(click here to read a report of the event)
FRAME OF MIND (2015)
De KIJKDOOS Project Space, Amsterdam
(De Kijkdoos)
OVER GRENZEN, DE MENSELIJKE MAAT (Across borders, the human dimension) 2016
# Aftrap4 – ARTtrium
Ministerie van Binnenlandse Zaken en Koninkrijksrelatie (Ministry of Interior), The Hague
(Exhibition catalog)
